The last edition of ‘La Charente fait son Cirque’ was held in 2021, and has since been transformed into a larger event, a friendly and festive street arts festival in Chasseneuil-sur-Bonnieure: ‘Hep Hep Hep’.
The street is what moves us, what drives us, what carries us, and that’s why we go even further to share our passion, to discover other people and other emotions.
Our work as street theatre artists cannot be thought, lived or experienced in an individualistic way. That’s why the main objective of this event is to make live theatre known to the local population, in particular through the ‘coup de cœur’ shows that we encounter on tour. It is also an opportunity to work with our partners, involving them in the organisation, creation and development of the event. This event should enable us to create social links.
The Collectif Primavez will present its show Playground at the Hep Hep Hep on Saturday 14 June at 18h05 and Sunday 15 June at 18h02.
Do Artists Need Their Audience? Without a doubt—without spectators, there is no show. But can artists also rely on their audience physically? Miguel Rubio takes on this challenge with Playground.
Here, the staging depends entirely on the spectators. Their gaze, their presence, and even their bodies support the structure of the performance. Seated on eight chairs connected to the Chinese pole, they become a key element of the scenography. Those who accept this role will feel just how much the artist leans on them to keep everything in balance. Blending Chinese pole acrobatics, dance, theater, and humor, Playground is a performance full of surprises and extraordinary adventures. It is an aerial and absurd playground where comedy meets acrobatic prowess, suspended more than eight meters above the ground.
After collaborating with numerous companies and diverse projects, Miguel Rubio wanted to take the Chinese pole to the streets. He designed a self-sufficient system in which the audience itself becomes the pillar of the performance. With Playground, the magic of the Chinese pole comes to life, unfolding anywhere and for everyone.
Preceding the launch of the cultural season, the LES TRANSVERSALES festival is a celebration of street arts in all their many forms: street theatre, juggling, burlesque, circus arts, magic, music and dance take you on a journey through a series of delicate and humorous stories. There is something for everyone, whatever your taste or preference.
Do Artists Need Their Audience? Without a doubt—without spectators, there is no show. But can artists also rely on their audience physically? Miguel Rubio takes on this challenge with Playground.
Here, the staging depends entirely on the spectators. Their gaze, their presence, and even their bodies support the structure of the performance. Seated on eight chairs connected to the Chinese pole, they become a key element of the scenography. Those who accept this role will feel just how much the artist leans on them to keep everything in balance. Blending Chinese pole acrobatics, dance, theater, and humor, Playground is a performance full of surprises and extraordinary adventures. It is an aerial and absurd playground where comedy meets acrobatic prowess, suspended more than eight meters above the ground.
After collaborating with numerous companies and diverse projects, Miguel Rubio wanted to take the Chinese pole to the streets. He designed a self-sufficient system in which the audience itself becomes the pillar of the performance. With Playground, the magic of the Chinese pole comes to life, unfolding anywhere and for everyone.
No introduction needed. The unmissable and festive event of the new season is back to kick off the season in style! Laughter, dance, poetry, performance, wonder… In the heart of the Mermoz district or in the city centre, come and enjoy these open-air shows that are sure to delight everyone.
The Collectif Primavez will present the show Playground at the Journées d’Arts de rue in Villejuif on September 21 at 14h40 et 16h55.
Do Artists Need Their Audience? Without a doubt—without spectators, there is no show. But can artists also rely on their audience physically? Miguel Rubio takes on this challenge with Playground.
Here, the staging depends entirely on the spectators. Their gaze, their presence, and even their bodies support the structure of the performance. Seated on eight chairs connected to the Chinese pole, they become a key element of the scenography. Those who accept this role will feel just how much the artist leans on them to keep everything in balance. Blending Chinese pole acrobatics, dance, theater, and humor, Playground is a performance full of surprises and extraordinary adventures. It is an aerial and absurd playground where comedy meets acrobatic prowess, suspended more than eight meters above the ground.
After collaborating with numerous companies and diverse projects, Miguel Rubio wanted to take the Chinese pole to the streets. He designed a self-sufficient system in which the audience itself becomes the pillar of the performance. With Playground, the magic of the Chinese pole comes to life, unfolding anywhere and for everyone.
6th edition of the TRAC Festival in Sauxillanges. On the programme: street arts companies (theatre, circus, concerts, fire, puppets, dance, etc.). Refreshments and food trucks.
Do Artists Need Their Audience? Without a doubt—without spectators, there is no show. But can artists also rely on their audience physically? Miguel Rubio takes on this challenge with Playground.
Here, the staging depends entirely on the spectators. Their gaze, their presence, and even their bodies support the structure of the performance. Seated on eight chairs connected to the Chinese pole, they become a key element of the scenography. Those who accept this role will feel just how much the artist leans on them to keep everything in balance. Blending Chinese pole acrobatics, dance, theater, and humor, Playground is a performance full of surprises and extraordinary adventures. It is an aerial and absurd playground where comedy meets acrobatic prowess, suspended more than eight meters above the ground.
After collaborating with numerous companies and diverse projects, Miguel Rubio wanted to take the Chinese pole to the streets. He designed a self-sufficient system in which the audience itself becomes the pillar of the performance. With Playground, the magic of the Chinese pole comes to life, unfolding anywhere and for everyone.
La Palanca, Esparreguera’s contemporary circus festival, is held every year, featuring a programme of performances by professional companies working in different specialities of this performing art. A contemporary circus festival that has established itself as one of the most important cultural events in Catalonia. For three days, the streets and squares of the town will be transformed into a large open-air stage offering artistic performances for all audiences.
Do Artists Need Their Audience? Without a doubt—without spectators, there is no show. But can artists also rely on their audience physically? Miguel Rubio takes on this challenge with Playground.
Here, the staging depends entirely on the spectators. Their gaze, their presence, and even their bodies support the structure of the performance. Seated on eight chairs connected to the Chinese pole, they become a key element of the scenography. Those who accept this role will feel just how much the artist leans on them to keep everything in balance. Blending Chinese pole acrobatics, dance, theater, and humor,Playgroundis a performance full of surprises and extraordinary adventures. It is an aerial and absurd playground where comedy meets acrobatic prowess, suspended more than eight meters above the ground.
After collaborating with numerous companies and diverse projects, Miguel Rubio wanted to take the Chinese pole to the streets. He designed a self-sufficient system in which the audience itself becomes the pillar of the performance. WithPlayground, the magic of the Chinese pole comes to life, unfolding anywhere and for everyone.
